The answers to "how did you do that?". ALL IMAGES ON THIS WEBPAGE ARE COPYRIGHTED ©JOYCE MARIE MARTIN 2012

Saturday, June 13, 2009

Soul Snatcher

This image was created as a composit of at least 5 images. You can find the progressions as well as the different pictures that were taken at this LINK.

Monday, June 8, 2009

PARADOX: A Pair Of Pants

There is tons of room for the imagination with this one. How to make the pants filled out is the easy part! In this set up my model was wearing a black turtleneck shirt and black socks with the blue denim stonewashed jeans. By using a black background and an old chair, an illusion of a pair of pants with not body is simple.

The lighting was simple. Two hotlights with umbrellas, one to the left of the subject and one to the right. A SB800 to the imediate left of the camera with a white umbrella for diffusion. First a picture of the chair alone was obtained for layering purposes. Then the model sits with his arms up over his head. It is important that you keep the focal length and chair in the exact same position for both shots.

The Nikon D300 was set on monochrome b/w and the iso 200. The SS was 1/125, F/10.0, FL 22mm. In pp the contrast up was bumped a tad and a clarifying filter was added. Also a black vinette was added to the model image. The contrast and clarifying filter were run on both images. Next the pant layer was copied and pasted on top of the chair layer. Using the eraser tool, in psp or a masking layer in ps, remove the unwanted body parts to reveal the chair in those parts. Be sure to erase completely to the edges that are not going to be removed. Merge the layers when done. Because its sometimes hard to see the differents between black pixel shades on some might need to make a copy of the image and paste it as a new image...then on that new image LOWER the contrast to the point of seeing shaded whites. If there is a difference in your background pixels they will show up as a 'halo' around our image.

Using the paint brush with black....paint over these areas on your ORIGINAL image using the copy for reference only. You can do the copy and paste as new image again when you think you have it all to be sure. The reason it is done this way is because some editing programs will not copy your exif info when you copy and paste as new layer. It is important to keep that info with the image. You can delete the copied image when you don't need it anymore. Save the original under a new file name and you will still have the original originals of the jeans and of the chair while keeping your exif info.
Next, if you would like to accentuate your highlights on the folds of the jeans...then use the dodge brush on the highlights and burn brush on the shadows of the folds in the fabric. Do this to your tastes.

This standing image was done the exact way except instead of a chair...the second image was the back of the pants. Pretty much done the same way...only the back of the pants layer was on top and resized to fit after erasing the background.

Sunday, June 7, 2009

Set up was a cd, mirror, water on the mirror, a bowl of water, black background, one hotlight to the left of camera and an off camera SB800 to the left. The hotlight was mainly so I could focus on the cd, which I hand held over the mirror with water. I set the SB flash unit close (about 18 inches) from the cd. After focusing in manual, I dipped the cd in the bowl of water then held it in the focal range over the mirror and snapped away. The flash has a cool rainbow effect on the cd. I slightly tilt the cd to pick up as much of the spectrum as I can get. The drips are obtained by dipping the cd into the bowl every few frame.
In post editing, the drip falling was lightened and then colorized using a change target color brush and the reflection in the mirror was soften for more reflective look.

Saturday, June 6, 2009

"Lost Marbles"

This was shot in mono b/w with a Nikon D300, 55mm focal length.

I used a mirror with water on it, in which the marbles were placed on. Then with two hotlights on either side of the table and a SB800 flash to the right of the camera, I placed an aluminum reflector behind the shot so that is what you see in the reflection of the mirror. SS at 1/125 and apreture at f/10.0. Using Paint Shop Pro X2, I cropped and ran a clarrifying filter for more contrasts. Then copied a pasted the image as a new layers. Working on the background layers I ran a mendhi>melt filter. Then on the new raster layer copy I earased any of the background I didn't want leaving the melt to show through.

Friday, June 5, 2009

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